Dialog Editing For Film & TV|音樂線上App不用買

Learn the Pro Tools audio editor's workflow in this advanced, 4-hour (+ 1.5 GB!) course by post-production expert, Roy Vargas.

Avid's Pro Tools is the premiere DAW for editing dialog for TV and Film. Editing dialog to picture is complex. There's a lot of interactivity, when audio and video sync in post-production, that makes it essential for you to master all the concepts and tools. That's why we called upon experienced Pro Tools expert Roy Vargas to break down the process and show you everything you need to know as a professional dialog editor.

The course starts with a collection of tutorials that breakdown the anatomy of a post-production session. Roy explains the various kinds of sessions, tracks, file formats and organizational hierarchies that Pro Tools operators must know. Next, he shows you, from experience and by example, how a Pro Tools operator constructs and sets up a dialog-to-picture editing session. Then Roy dives into timecode, reference tones, sync pops, reel splitting and much more to assure that your session is built on solid ground.

From there you explore the tools and techniques he uses to edit, crossfade, clean, sync, time-stretch and fix any kind of audio situation you might come across in post-production. By the time you finish this 48-tutorial course, you will "own" all the tools, techniques and, most importantly, the confidence to run your own Pro Tools post-production dialog editing sessions!

Table of Contents:

1. Session Layout: Anatomy of a Post-Production Project (03:02)

2. The Video Track (05:45)

3. The Guide Track (03:33)

4. Production Tracks (04:42)

5. Supported Session Formats (04:22)

6. Session Folder Hierarchy and Storage (02:25)

7. Before Starting a Project (04:01)

8. A Brief Word About Timecode (03:48)

9. What Are Reference Tones? (04:39)

10. Reference Tones - Generating (05:25)

11. Sync Pops (02:53)

12. Mix Templates (01:52)

13. Setting Up a Template for Dialog Editing Reference ... (03:46)

14. Setting Up a Template for Dialog Editing Sync Pops (06:21)

15. Setting Up a Template for Other Tracks and Building... (02:36)

16. Checking Sync (09:06)

17. Splitting Reels (04:52)

18. Safety, Safety, Safety (04:05)

19. More About Splitting Reels (05:48)

20. The Screening and Spotting Session (07:21)

21. Creating Scene Boundaries (02:48)

22. Setting Up Your Workspace (06:40)

23. Splitting Tracks... The Art of Checker Boarding (05:56)

24. Multi-Track Field Recorders and Metadata (05:22)

25. Balancing the Scene (07:26)

26. Fades and Crossfades (08:52)

27. Room Tone: A Necessary Evil (11:47)

28. Removing Artifacts (06:37)

29. Removing Even More Artifacts (06:05)

30. Putting Words Together (04:23)

31. What is Broadband Noise (02:51)

32. Frequency Analyzers and the Spectrogram (04:19)

33. Noise Removal Tools and Tips: EQ & Filters (05:55)

34. Noise Removal Tools and Tips: Specialized (07:56)

35. Repairing Distortion (02:53)

36. Spectral Repair (08:25)

37. When All Else Fails: AlternateTtakes (08:32)

38. Recording ADR Lines (06:41)

39. Comping ADR Takes (05:06)

40. Elastic Dialog (06:07)

41. Importing ADR into a Session (05:20)

42. Narration and Other Talking Heads (02:17)

43. Tempo and Pacing (04:06)

44. Tempo, Pacing and Cadence (03:10)

45. Gain Matching (03:43)

46. To Pre Mix or Not To Pre Mix (05:15)

47. Stems (01:39)

48. Consolidating the Session (02:21)

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