西藏低音唱咒 Tibetan Chant|媒體與影片線上App不用買

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The common overtone chanting of mantras as follow;

Green Tara Mantra (綠度母)

Chakrasamvara (金剛)

Praising Chakrasamvara (讚誦金剛)

Heart Sutra (心經)

Guhyasamaja Tantra (密集金剛)

Blessing the Offerings

Great Sacred Music

Harmonic Chanting in Sydney

Om Chanting - Dalai Lama

Tibetan overtone singing - 1

Tibetan overtone singing - 2

Huun Huur Tu

Mandala Offering - 1

Mandala Offering - 2

Tibetan Chant

Music from Tibet

Deep Singing With Singing Bowls Cymbals

Tuvan Throat Chanting Kargyraa

Lama Chopa - Gelugpa monks

Introduction

Overtone singing or harmonic singing, is a singer singing manipulation of air travel resonance (or formants) created from the lungs, past the vocal cords, lips out melodies.

The harmonics of the human voice sound wave, can be selectively amplified, by varying the resonant cavity, oral cavity, larynx and pharynx shape. This allows the artist to create resonant tuned at the same time clearly exceeds (fundamental and selected harmonics) one pitch, while still valid, with his / her vocal cords produce a single fundamental frequency.

The "deep voice" chanting of the Tibetan monks and Mongolians, which only a few Westerners* have mastered, creates a second fundamental drone either in the pharynx or false vocal chords, which allows a second overtone to be amplified, a total of three or even four simultaneous sounds. This is not simply a form of vocal acrobatics. A very powerful, multi-dimensional waveform is created which operates on several levels. The fundamental, or base tones of the voice work mainly on the physical body, while the overtones, which are the pure, rainbow colours of the voice, work mainly on the subtle bodies. Like laser beams, these overtones dissolve and disperse cystallisations of potentially harmful energy in the aura, thus preventing them from reaching the physical body. Acoustic instruments such as didgeridoo, Tibetan singing bowls, gongs, mono chord and tampura, will work in much the same way as the voice, as they are all rich in audible overtones.

The voice, however, is far more powerful as it transmits intention far more directly than through an instrument. Electronic instruments and machines do not have the full spectrum of harmonics, and are therefore limited in their therapeutic potential.

Some ways that sound and overtones can aid healing:

Relief from stress and anxiety

Improved concentration

Enhanced creativity

Improved vision (physical, mental and spiritual)

Brain hemisphere balancing

Restoration of equilibrium in the endocrine system by vibrating the pituitary.

Relief of sinus congestion and headaches

Induction of alpha brainwave activity or deep meditation

Increased energy through stimulation of the cerebrospinal fluid

Chakra and aura balancing and cleaning

Space clearing

Easier access to intuition and higher consciousness

西藏泛音唱咒 Tibetan Tantric Chanting

尋找佛教音樂或心咒來唱誦經？您可利用手機在這裡搜索！

這個程序是為了方便您，尤其是當你在移動時，在不同的地點（例如在漫長的旅途上），尋找尋找您要的佛教題材，

應用程序的特點; 一站式到達以下常誦的心咒：

Green Tara Mantra (綠度母)

Chakrasamvara (金剛)

Praising Chakrasamvara (讚誦金剛)

Heart Sutra (心經)

Guhyasamaja Tantra (密集金剛)

Blessing the Offerings

Great Sacred Music

Harmonic Chanting in Sydney

Om Chanting - Dalai Lama

Tibetan overtone singing - 1

Tibetan overtone singing - 2

Huun Huur Tu

Mandala Offering - 1

Mandala Offering - 2

Tibetan Chant

Music from Tibet

Deep Singing With Singing Bowls Cymbals

Tuvan Throat Chanting Kargyraa

Lama Chopa - Gelugpa monks介紹

泛音唱法，也被稱為泛音誦經，或諧波的歌聲，是一種歌唱的歌手操縱空中旅行的共振（或共振峰）創建從肺部，過去聲帶，嘴唇出旋律。

由人聲的聲波的泛音（基波和泛音），可以選擇性地放大，通過改變諧振腔，口腔，喉和咽的形狀。此諧振調諧允許歌手創建顯然超過在同一時間（基波和選定的諧波）的一個間距，而仍然有效，與他/她的聲帶產生一個單一的基本頻率。

泛音唱法的另一個名稱是喉唱，但該術語也用於因紐特人的喉嚨歌唱，這是不同生產。

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